![]() Invited guests for the spotlight included screenwriter (of Tears for Sale and A Serbian Film) Aleksandar Radivojevic (who provided some lively and very frank introductions –too frank for one argumentative audience member on one evening–), director/writer/co-producer (Srdjan Spasojevic ) and producer (Nikola Pantelic) of A Serbian Film, producer Zoran Otasevic ( A Holy Place director Mladen Djordjevic ( The Life and Death of a Porno Gang) and film critic and author Dejan Ognjanovic, who was kept particularly busy by Fantasia administration hosting a Q & A for nearly every screening, a panel discussion with the noted Serbian guests, and giving his own special multimedia presentation “An Introduction to Serbian Horror Cinema.”ĭejan Ognjanovic (left) Moderating Panel on Serbian Horror FilmĬollectively the films were remarkable in their stylistic and thematic diversity, ranging from dark gothic fantasy ( A Holy Place), lighter magic realism styled fantasy ( Tears For Sale), reality-based viral horror (Variola Vera, loosely based on a real Kosovo event from 1972, in which an epidemic was started by an Albanian from Kosovo, but the event depicted in the film deals entirely with the epidemic in a Belgrade hospital), generic, slasher-styled horror ( T.T.Syndrome), and different strains of metaphorical horror, documentary/mockumentary ( The Life and Death of a Porno Gang) and graphically violent and highly stylized ( A Serbian Film). Syndrome(2002, Dejan Zecevic) and the newer crop were represented by Tears for Sale(2008, Uros Stojanovic), The Life and Death of a Porno Gang (Mladen Djordjevic, 2009), the first Serbian animated feature Technotise Edit & I (2009, Aleksa Gajic) and A Serbian Film(2010, Srdjan Spasojevic ). The older classical films were Variola Vera(1982, Goran Markovic), A Holy Place (1990) by veteran director Djordje Kadijevic, and T.T. ![]() Fantasia never does things halfway, so the spotlight included seven films spanning the classical and more recent eras, several invited filmmaker guests, and a Serbian film critic to place the films in their proper context. Even seasoned horror fans, which comprise a majority of Fantasia regulars, would not have been familiar with the horror legacy of Serbia, which made the spotlight an invaluable genre education. ![]() One of the highlights of the 2010 Fantasia International Film Festival was their spotlight on Serbian horror film, “Subversive Serbia”. An Interview with Dejan Ognjanovic a reasoning voice behind Serbian horrorīy Donato Totaro Volume 15, Issue 4 / April 2011 30 minutes (7278 words)
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